Magdalena Kožená was born in the Czech city of Brno and studied voice and piano at the Brno Conservatory and later with Eva Blahová at Bratislava’s Academy of Performing Arts. She has been awarded several major prizes both in the Czech Republic and internationally, culminating in the Sixth International Mozart Competition in Salzburg in 1995.
She was signed by Deutsche Grammophon in 1999 and immediately released her first album of Bach arias on its Archiv label. Her recital debut recording, an album of songs by Dvořák, Janáček and Martinů, appeared on Deutsche Grammophon’s yellow label in 2001 and was honoured with Gramophone’s Solo Vocal Award. She was named Artist of the Year by Gramophone in 2004 and has won numerous other awards since, including the Echo Award, Record Academy Prize, Tokyo, and Diapason d’or. Most recent releases for Deutsche Gramophon have included ‘Monteverdi’ with La Cetra Baroque Ensemble (2016), ‘Prayer’ for voice and organ with Christian Schmidt (2014), ‘Love and longing’ with the Berliner Philharmoniker and Sir Simon Rattle (2012). The album ´Cole Porter´ recorded with Ondřej Havelka and his Melody Makers appeared on Magdalena´s own label Brnofon in 2017, the two latest CD was recorded on the Dutch label Pentatone in 2019.
Kožená has worked with many of the world’s leading conductors, Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Sir John Eliot Gardiner, Bernard Haitink, Nikolaus Harnoncourt, Mariss Jansons, James Levine, Sir Charles Mackerras and Sir Roger Norrington. Her list of distinguished recital partners includes the pianists Daniel Barenboim, Yefim Bronfman, Malcolm Martineau, András Schiff and Mitsuko Uchida, with whom she has performed at such prestigious venues as Carnegie Hall, Wigmore Hall, Alice Tully Hall and the Amsterdam Concertgebouw, and at the Aldeburgh, Edinburgh and Salzburg festivals. Kožená’s understanding of historical performance practices have been cultivated in collaboration with outstanding period-instrument ensembles, including the English Baroque Soloists, the Gabrieli Consort and Players, Il Giardino Armonico, Les Musiciens du Louvre, the Orchestra of the Age of Enlightenment, Venice Baroque Orchestra and Le Concert d’Astrée. She is also in demand as soloist with the Berlin, Vienna and Czech Philharmonics and the Cleveland, Philadelphia and Royal Concertgebouw Orchestras.
Kožená first performed at the Salzburg Festival in 2002 as Zerlina in Don Giovanni and returned in 2013 as Idamante, a role she has also sung for the Glyndebourne Festival and in Berlin and Lucerne. Kožená made her first appearance at New York’s Metropolitan Opera in 2003 as Cherubino in Mozart’s Le nozze di Figaro and has since been a regular guest. She sang Zerlina for the company’s tour to Japan in 2006 and returned to New York to take the title-role in Jonathan Miller’s production of Debussy’s Pelléas et Mélisande in 2010/11. Her opera credits also include Angelina in Rossini’s La Cenerentola (Royal Opera House, 2007), Oktavian in Richard Strauss’s Der Rosenkavalier (Berlin Staatsoper, 2009 and Baden Baden Easter Festival, 2015), the title-role in Bizet’s Carmen (Salzburg Easter and Summer Festivals, 2012), Charpentier’s Médée (Basel Opera 2015) Martinů’s Juliette (Berlin Staatsoper, 2016), Magueritte in Berlioz´s La Damnation de Faust (Berlin Staatsoper, 2017) or Phaidre in Rameau´s Hippolyte et Aricie (Berlin Staatsoper, 2018).
Kožená was appointed a Chevalier de l'Ordre des Arts et des Lettres by the French government in 2003 for her services to French music.
Due to the anti-pandemic measures in the first half of 2020, neither the premiere of the new production of Mozart's Idomeneo at the Berlin Staatsoper nor the swing tour with Ondřej Havelka and his Melody Makers took place. We will inform you about the replacement dates of the cancelled events in our calendar. Nevertheless, in July Magdalena rehearsed another operatic role "tailor-made" for her: next year she is going to appear as The Waitress in the eagerly awaited premiere of Kaiji Saariaho's new opera. This Finnish composer's fifth operatic work titled Innocence will be staged at the famed Aix-en-Provence Theatre Festival. After the holidays, Magdalena is planning a European tour with the Basel baroque ensemble La Cetra led by Andrea Marcone, or Mahler's Song of the Earth with DSO Berlin and Sir Simon Rattle. At the end of the year she looks forward to singing the role of Ruggiero in Handel's opera Alcina, re-studied under Giovanni Antonini at the Zurich Opera House, starring Cecilia Bartoli in the title role.